Disillusion Effect

Disillusion Effect (Metal) - Morgantown, West Virginia

Disillusion Effect pushes a hard-hitting, relentless assault of metal mayhem into the ears and hearts of metalheads in the Mountain State and beyond.

Upcoming Shows:
More shows coming soon.

"Achluophobic" Album Review
Disillusion Effect's new album is a must have for fans of heavier Metal and let's tell you why in our new review. "Delusional Fortress" lays the groundwork for the devastation that's about to come. The early Lamb Of God influence is strong as it cranks things up to 11 on the heavy scale on its seven and a half minute long journey. "Parable Of Black" starts off with with a hard dirty riff while then adding in even more brutality with the harsh vocals and eventual speeding up the pace. The more traditional Metalcore shines through here as it swings and sways with breakdowns, and melodic riffs galore. The influences on the track vary from Zao and Shadows Fall to older In Flames. The one thing the track does is that it keeps moving along at a frantic clip even later on. The guitar solo later in the track keeps up with the high pace perfectly. Overall, the track is over six minutes of pure Metal bliss. "Into The Arms Of Perpetually Numb" starts off with a guitar riff that shreds along until the vocals make themselves known. The dark overtones of the track bring to mind an almost Black Metal sound but still manages to incorporate some Metalcore tendencies. It's a tremendous track to rock out to. "The Smile Of Indrid Cold" has shades of Unearth in its approach. The track bears down and crushes everything with its riffage, harsh vocals and earth shattering breakdowns. It's technical at times but still is heavy as hell. "Red Glory Repentance" comes right in like a runaway freight train. The track is absolutely relentless until later on and that's when it breaks into a melodic instrumental closing that really takes it to another level. "Attritions Gift" closes out the album with a circle pit inducing Metal sound. The track goes for five minutes and then dips down back its feet back into the melodic side of things for the remainder of the track. If you need more Metal in your life, grab this album right now.

Disillusion Effect's newest album is a must have for fans of heavier Metal music.

"Parable Of Black" Single Review
Disillusion Effect recently released this track as their first single from their upcoming "Achluophobic" release. Let's dig in and see what they're all about. The track starts off with with a hard dirty riff while then adding in even more brutality with the harsh vocals and eventual speeding up the pace. The more traditional Metalcore shines through here as it swings and sways with breakdowns, and melodic riffs galore. The influences on the track vary from Zao and Shadows Fall to older In Flames. The one thing the track does is that it keeps moving along at a frantic clip even later on. The guitar solo later in the track keeps up with the high pace perfectly. Overall, the track is over six minutes of pure Metal bliss.

The new single from Disillusion Effect unleashes a sonic assault on the senses.

"Behold The Inevitable Beast" Album Review
When one thinks of Metal acts, hardly do they think of West Virginia being a stand out state that brings quality Metal music. Disillusion Effect are here to change that with their recent nine track offering. The opening track "An Offering To Fire Mountain" pulls no punches. It comes out swinging with a brand of Metal that's akin to Lamb Of God in ts ferocity. The track is a destructive opener that helps set the overall tone of the album. "Oni Kudaki" continues the furious onslaught of shredding and breakdowns. The track is a audio assault on the senses and in being the shortest track on the album, it contains a barrel of dynamite worth of Thrash influenced Metal that explodes with every second that passes. "Grail Of Madness" kicks a little atmospheric Metal of a sound. The track brings to mind the Devil You Know or All Shall Perish with its take no prisoners approach to the Metal genre. The guitar solo is outstanding and adds another layer of awesomeness. "Conduit" is a stand out track that'll get the circle pits moving in no time flat. The track is a prime example of the devastation that the band leaves in its wake. It has the perfect amount of melodic riffs to it to satisfy every type of Metal fan. "Dawn Of Our Unmaking" keeps up the breakneck pace with another gem of a track. The track bobs and weaves through the sonic forest of Metal so effortlessly that it really showcases the true talent of the band perfectly. "Out For Blood" has a few shades of Hardcore to it with its breakdowns. The track brings to mind Unearth and destroys in all of the right ways. "Wrath Upon The Confluence" is a bit slowed down and sludgy before erupting into a whirlwind of Metal that puts the DE sound on full display. The track is top notch. "ReUnIoN" is a track that may just have the most melody to it. There's no clean vocals but it brings to mind the earlier sound of All That Remains. It helps set up the closing track "Behold The Inevitable Beast". The track is the longest track (clocking in at a little over six minutes) on the album and it doesn't disappoint. The track doesn't hold anything back and really shows what the band is capable of. It's an epic closer to an already blistering Metal album.

Disillusion Effect pushes a hard-hitting, relentless assault of Metal mayhem into the ears and hearts of Metalheads.

-Interview- (2/9/17)
1. How did you get started with music and how did you develop your sound? Who thought of the name “Disillusion Effect” and is there any meaning behind it?

DE was formed when Jimmy Rhodes and Bob Immel from former Morgantown metal band Diabolus recruited greenhorn and longtime friend Chris Rabideau for vocals. In the midst of local band Plagues of Man breaking up, DE finalized the original lineup by adding drummer Jacob Miller. Miller was the final piece in forging a new project that was going to emphasize the incorporation of several styles of metal music. The name was formed while imbibing delicious alcoholic beverages and wanting the name to reflect what we were wanting to embody musically as a band. Heavy metal is surrounded with negative stigmas and our end goal is to not only win over the minds of fellow metal heads, but also get the people who don't really listen to heavy music bobbing their heads, whether they were aware of it or not. We were eclectic in background and taste so ultimately we decided to throw in whatever worked for each song. In an era heavy on emphasizing sub genres, we didn’t want to get pigeonholed into a sound and wanted the music to come together more organically. In the end DE is a relentless metal band with heavy doses of grooves, thrashy riffs, pummeling death metal percussion, while trying to reign in melodic and funky elements.

2. What do you want listeners to take away from the "Behold The Inevitable Beast" album? What's the word on new music?

BTIB was a collection of our best material at the time. With a focus on trying different things, we wanted to create a brutal buffet of songs and see how it turned out. In the later stages of writing the songs became more progressive, with tracks like “Conduit” and “Behold the Inevitable Beast” really illustrating that style. We liked how with this progressive direction we could open it up even more and make each song its own heavy metal stew. That direction would take hold going into writing the follow up, a concept album entitled “Achluophobic.”

3. What can people expect from your live show?

We pride ourselves in putting on an energetic, yet technical performance. One should expect sweaty dudes, excessive head banging, and off putting banter in between songs that tends to be filthy in nature.

4. What's your favorite track to play live?

We have a song we’ve been playing live from our new album called “Parable of Black” and that track makes me feel like I’m going to snap my own neck. It’s a hell of an opener and I like to see the crowd’s reaction anytime we bust out something new.

5. Who are three bands you’d like to tour with?

Unearth, Pantera (if former bands are on the table), At the Gates, and Cattle Decapitation.

6. Any crazy show stories?

We tend to run into our fair share of violent outbursts, drunkenness, and debauchery in our time as a band but what sticks out to me actually happened at our last show. There was a dude up in front pressed up against the stage who had a puppet. He seemed to be having the puppet sing along and/or talk shit on us, and head bang while we were playing. It was hilarious and quite frankly kind of distracting when you’re gearing up for the breakdown and you look over and a puppet is like “Oh Shit!” I was told later on that evening that the puppeteer had confessed to a friend to being featured in several underground pornography publications. Unfortunately it was undetermined if the plush character was involved.

7. What’s your take on the current state of Metal?

PLAYING HEAVY MUSIC IS A FINANCIAL BLACK HOLE!!! Joking, kind of...but getting rich definitely isn’t in the cards. You can be smart and make your band able to financially stay afloat but it’s really tough. Truthfully you have to be in it for the right reasons and that simply is the passion for it, your heart better be in it or you’re never going to last. What’s sad is to see the subgenre prejudice spiraling out of control, rather than checking out a band individually people take the lazy route and identify the band by their subgenre (which in my experience is neither fair or accurate) and cast them aside because you don’t like deathcore, djent, or whatever. Listen to what sounds good, it’s music. Music production also seems to be trending in a direction where the songs have lost their soul, the humanity element. It all sounds way too clean and overproduced with drums and vocals sounding robotic, I often wonder how a lot of these acts are going to translate over to a live show and more often than not, they don’t. I hope a more organic approach comes back to the production aspect of recording records.

8. What’s the current music scene like there in West Virginia both locally and state wide?

The metal scene in WV is small and a bit of an outcast in a state that loves bluegrass, country, and classic rock cover bands. Venues willing to have bands that play aggressive music seem to be drying up left and right. I understand the liability surrounding some kid getting ninja kicked in the face during a mosh, but it sucks when you’re looking to book a gig. But in spite of that, bands have come together and united for the well being of the collective. We really try to pull together our resources and put together shows people can get excited about.

9. What’s your take on legal/illegal music downloading?

It’s a necessary evil. On one hand I love to stream music on Spotify or Youtube to preview a new band or album I’m trying check out. But I love to buy physical copies of albums because I love the artwork, reading the lyrics while listening along, I really like to collect that shit. But I think if you’re a true fan of a band you have to financially support them, by purchasing merch or just by attending a show. Get your ass out there and represent. It doesn’t take a lot of resources to support an independent, local show. Go out and see one sometime.

10. What’s next for Disillusion Effect?

Our second full length, a concept album entitled “Achluophobic” which the subject matter will revolve around the darkness that exists in the layers of our lives. We’re going to be launching a Kickstarter campaign to help fund it, looking forward to providing some cool stuff for our backers to get involved. Our second music video with 1.618 Productions, and ultimately looking to play a bunch of places we’ve never played before. Bottom line, our goal is to hit the road hard in 2017 after the release of the new album.

11. Any shoutouts?

Jay Hannon at 7 over 8 studios, John and Curt over at 1.618 Productions, our graphic artist Dan Smolira, photographer Matt Rough, 123 Pleasant Street who keep having us back time and time again and allowing us to film our first video in a club that means so much to the underground scene, to all the great local and regional bands we have the honor to share the stage with, and our friends and fans who have been incredible supporting our project through the years.